'A Minecraft Movie' review: The sandbox game successfully respawns as a film
Alfred Hitchcock had blondes, MacGuffins, and director’s cameos. Spike Lee has dolly shots, New York settings, and fourth-wall breaks. And Jared Hess has tots, llamas, and frequent use of “friggin.’”
I’m not saying that the Napoleon Dynamite director is on the level of those two auteurs. However, it’s impressive that despite being an adaptation of a juggernaut of a video game, A Minecraft Movie still feels like a Jared Hess movie at its core, even down to its setting in Idaho (when it isn’t set in the world of Minecraft, that is).
A Minecraft Movie could have simply been driven by its mammoth video game origins, content to drop in-jokes and references inscrutable to those who haven’t dived into playing Minecraft and delightful to those who have. That would have been the safe route — and it’s one that most IP adaptations are OK with taking — but oddly, Warner Bros. and game studio Mojang appear to be fine with Hess putting his own quirky stamp on this universe.
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Maybe it’s not so odd after all. From my limited understanding of the game (very limited as a childfree adult who googled “Minecraft explainer” on my way to the theater), creativity and making the world your own are valued within Minecraft gameplay. And even if I hadn’t done five minutes of pre-screening research, A Minecraft Movie is vocally explicit in espousing imagination as a key to success in the Minecraft land of Overworld.
The plot of A Minecraft Movie is a lot — and also not the point.
The plot of this family-friendly adventure is challenging to explain succinctly; whether that’s my fault as a Minecraft noob or has to do with the five credited writers (Chris Bowman, Hubbel Palmer, Neil Widener, Gavin James, and Chris Galletta) is up for debate. Mine-obsessed Steve (Jack Black) accidentally discovers a portal (in a mine, naturally) that leads to Overworld, an animated universe filled with blocky animals, trees, and structures. Steve masters building and crafting in Overworld and decides to stay, especially after he bonds with a cube-shaped dog that he names Dennis.
Later, that same Overworld portal also sucks in former video game champion Garrett “Garbage Man” Garrison (Jason Momoa), realtor/mobile zoo entrepreneur Dawn (Danielle Brooks), and two young siblings, Henry (Sebastian Hansen) and Natalie (Emma Myers). They discover the rules of Overworld by trial and error, learning how to build structures and craft tools during the day and simply trying to stay alive at night, also by building and crafting, amidst attacks from zombies, spiders, and creepers. Their experience basically echoes the game’s mods: in Create, players focus on constructing their own world, while Survive finds them attempting to not die with each nightly assault from creepy creatures. They go on a quest for the movie’s MacGuffin — the cube-shaped Orb of Dominance — where they encounter more creations that made the kids in my screening lose their little minds with excitement. Meanwhile, they try to avoid the invading hordes from a hell-like underworld populated by beefy, blocky pigs and ruled by the sorceress Malgosha (voiced by Taika Waititi–favorite Rachel House).
Beyond all of … that, A Minecraft Movie also features a wholly unnecessary subplot about a cubist Overworld citizen who stumbles into our world and encounters Henry’s daffy, oversharing vice principal, played by Jennifer Coolidge. These scenes could have been cut out entirely without affecting anything else on screen, but a credits sequence offers payoff. It’s hard to be too mad at its inclusion because it exists as a vehicle for Coolidge, who also starred in Hess’s Gentlemen Broncos, and is very much on the same comedic page as the filmmaker.
Jason Momoa and Jack Black are at their comedic best.
Leads Momoa and Black are also on Hess’s weirdo wavelength. Momoa stars as the has-been video game king with a wardrobe of fringed jackets and a glorious curly shag haircut, and his deadpan delivery is the most hilarious the Aquaman actor has ever been. Hair-metal-loving Garrett is desperately trying to recapture his previous glory, and Momoa speaks in the oh-so-serious-but-oh-so-funny cadence that will be familiar to anyone who watched Napoleon Dynamite on repeat.
Similarly, Black has his trademark exuberant energy that borders on obnoxiousness, and it’s the perfect fit for this perfectly silly movie and its young audience. Some adults may not find Black entertaining, but they are old and boring. For his second round with Hess, following Nacho Libre, Black gets that the director doesn’t want naturalistic performances steeped in Stanislavski. A Minecraft Movie isn’t attempting to be subtle; it’s the bigger, the better, and Black understood the assignment.
In her first film appearance post-Oscar nomination for 2023’s The Color Purple, Brooks isn’t given a ton to do. However, if everyone in the cast were operating at the over-the-top level of Momoa, Black, and Coolidge, A Minecraft Movie would be overwhelming and exhausting, a fate it somehow skirts despite everything going on here. Hansen and Myers, the two young actors playing brother-and-sister duo Henry and Natalie, are charming enough and comical when they’re required to be, but it’s easy to get lost amidst the bigger performances and the backdrop of blocky animated sheep.
All those weird right angles and the oddly inorganic shapes of the organic things of Overworld mean that the animation and special effects don’t have to — and shouldn’t — convince the audience they’re real. Minecraft itself looks pretty low-fi, and the visuals of Hess’s film work well within that established style. Yet it doesn’t look cheap; it’s as though Warner Bros. didn’t mind spending a little money in anticipation of the pile of money the film will likely make.
Napoleon Dynamite’s Jared Hess brings his signature silly style.
While I don’t love that IP rules the box office, Hess’s tater-tot-grease-stained fingerprints are all over A Minecraft Movie. It feels like it was made by a human — and a wonderfully weird one — rather than simply churned out by a studio or media conglomerate to take advantage of their property. It’s fun and funny, fully engaged with the spirit of the game, in which creativity and imagination rule. It doesn’t feel like it’s pandering to kids, but, as evidenced by the giggles at my screening, they were enjoying it. For adult viewers who require logic in their storytelling, however, mileage may vary.
“This place makes no sense,” Natalie says at one point with a tinge of exasperation, and she is speaking for all of us uninitiated. While it is largely coherent, A Minecraft Movie is all over the place. But no one in the audience is here for the plot. They’re either watching A Minecraft Movie for their love of the Minecraft world or because they love someone who loves it and isn’t old enough to drive themselves to the movie theater. As far as video game adaptations and children’s films go, A Minecraft Movie is so much better than it needs to be.
Parents will likely find this film more entertaining than listening to their kids talk about Minecraft for the equivalent amount of time (101 minutes, for the record). A Minecraft Movie might also provide a deeper understanding of the universe (Minecraft’s, not the real one) for those who haven’t experienced it firsthand before. It’s a good primer for the game that never feels like homework.
A Minecraft Movie opens in theaters nationwide and in IMAX on April 4.
Topics Film Video Games
Kimber Myers is a freelance film and TV critic whose bylines have appeared in outlets including The Los Angeles Times, The Playlist, Bustle, and Crooked Marquee. Her day job is at a tech company, and she has also worked at several entertainment-focused startups, building media partnerships, developing content marketing strategies, and arguing for consistent use of the serial comma in push notifications. You can follow her here on Twitter.
