'28 Years Later' was shot on iPhone 15s. The actors loved it.

Mashable chats to director Danny Boyle and stars Aaron Taylor-Johnson, Jodie Comer, and Alfie Williams.
 By 
Shannon Connellan
, and 
Kristy Puchko
 on 
All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission.
'28 Years Later' stars Aaron Taylor-Johnson, Jodie Comer, and Alfie Williams about shooting with iPhone.
Watch Next

One of the scariest films of the year, 28 Years Later, used iPhones to film key scenes.

Director Danny Boyle and screenwriter Alex Garland reunite almost 28 years after their groundbreaking 2002 film 28 Days Later, delivering a gloriously horrifying cinematic experience in their latest film.

Also returning is cinematographer Anthony Dod Mantle, whose use of digital camcorders defined 28 Days Later. Here, Boyle and Mantle use a host of cameras, including 20 adapted iPhone 15s, all deployed to capture Boyle's go-to 2.76:1 widescreen aspect. But what effect does this produce in 28 Years Later, and what does it mean for the actors in front of the many lenses?

Mashable entertainment editor Kristy Puchko sat down with Boyle for Mashable's Say More podcast, and UK editor Shannon Connellan spoke to 28 Years Later stars Aaron Taylor-Johnson, Jodie Comer, and Alfie Williams to understand more about making a major horror film using iPhones.

"When someone puts an iPhone very close, it's a bit intrusive. You feel kind of vulnerable, and you can't hide. There's a quality about it that just shows everything, and it meant we had to feel very present in the moment," says Taylor-Johnson. "You got used to it very quickly, and it became such a great environment to work around."

Behind the scenes image of "28 Days Later" showing a zombie surrounded by rigged up iPhones.
Credit: Sony Pictures

"Technology’s moved on, and we thought, we’ve got to move on and yet we want to respect that instinct which is to use the ordinary in some way. So it feels like it’s something that’s come from the place that the story is about. And of course, we’ve all got the phones now so we decided to use them," Boyle says.

"They’re lightweight, they now record at 4K, but they allowed us to visit places, remote places, in the UK, with a very light footprint," he adds. "But we used a lot of cameras. We didn’t just use the iPhones… there’s a red sequence in it that’s used this special Panasonic camera, the EU123. We used drones, which use 6K cameras. And we unified everything with a format, with a 2.76:1, which is a widescreen format, which you can do now with all these cameras."

As for teen newcomer Williams, who plays 12-year-old Spike, the experience of making films on iPhone is pretty standard for his generation. "This was normal for me," he says.

28 Years Later is now playing in theaters. 28 Years Later: The Bone Temple is slated for theatrical release on Jan. 16, 2026.

A photo portrait of a journalist with blonde hair and a band t-shirt.
Shannon Connellan
UK Editor

Shannon Connellan is Mashable's UK Editor based in London, formerly Mashable's Australia Editor, but emotionally, she lives in the Creel House. A Tomatometer-approved critic, Shannon writes about entertainment, tech, social good, science, culture, and Australian horror.

Mashable Image
Kristy Puchko

Kristy Puchko is the Entertainment Editor at Mashable. Based in New York City, she's an established film critic and entertainment reporter who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts, and interviewed a wide array of performers and filmmakers.


Latest Videos

Stephen Colbert reacts to the Artemis II moon mission
A man in a suit stands on a talk show stage, gesturing.


'The Daily Show' reacts to judge halting Trump's White House ballroom
Desi Lydic presents "The Daily Show" beside an image of Donald Trump.


A24's 'Mother Mary' trailer is worth it for the FKA twigs track
Anne Hathway is dressed in a red pop star outfit with religious overtones in a film still from "Mother Mary."

Jon Stewart has a brutal reaction to Trump waffling about pens
A man in a suit sitting behind a talk show desk looks angry. In the top left is an image of the president holding up a pen.

Stephen Colbert gleefully recaps the best signs at the 'No Kings' protest
A man in a suit stands on a talk show stage, smiling. The caption at the bottom reads, "I like that one."

Riz Ahmed is troublingly intense in new 'SNL UK' promo
A close-up of a man grinning in a slightly creepy way.


The biggest stories of the day delivered to your inbox.
These newsletters may contain advertising, deals, or affiliate links. By clicking Subscribe, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy.
Thanks for signing up. See you at your inbox!