'Fight or Flight's Josh Hartnett and Charithra Chandran on the action movie's wildest stunts

How do you create an assassin melee on a plane?
 By   and 
Kristy Puchko
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Josh Hartnett and Charithra Chandran talk stunts in 'Fight or Flight'
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If you loved watching '90s heartthrob Josh Hartnett go wild as a girl dad/serial killer in Trap, you won't want to miss the murderous mayhem he brings to Fight or Flight.

Directed by James Madigan, Fight or Flight stars Hartnett as disgraced former American operative Lucas Reyes, who's given one last chance to redeem his name. On an international flight peopled by demanding tourists, annoyed flight attendants — including the whip-smart Isha (Bridgerton's Charithra Chandran) — and an array of contract killers, Lucas must not only identify the mysterious black hat terrorist known as the Ghost, but also turn them into the American secret intelligence agency alive. With a big fat bounty on the Ghost's head, that's not easy work. And neither was making Fight or Flight.

Shot on location on a real plane, the film demanded the actors get very comfortable with fight choreography in cramped quarters, like aisles, bathrooms, and the galleys of a plane.

In an virtual interview with Mashable Entertainment Editor Kristy Puchko, Hartnett and Chandran spoke to the challenges demanded by this very action-packed movie. Hartnett was quick to commend the stunt team, including his stunt double, Clayton Grover. For her part, Chandran shared how her experience on Fight or Flight — where she has some stunt scenes — helped prepare her for her role as Miss Wednesday in an upcoming episode of the live-action anime adaptation One Piece.

Fight or Flight is now in theaters.

Topics Film

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Kristy Puchko

Kristy Puchko is the Entertainment Editor at Mashable. Based in New York City, she's an established film critic and entertainment reporter who has traveled the world on assignment, covered a variety of film festivals, co-hosted movie-focused podcasts, and interviewed a wide array of performers and filmmakers.


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